John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010

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John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010

John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010
EAC | FLAC | Tracks (Cue&Log) ~ 697 Mb (incl 5%) | Mp3 (CBR320) ~ 342 Mb (incl 5%) | Scans included
Genre: Hard Bop, Modal Jazz | Label: Not Now Music | # NOT2CD291 | Time: 01:59:49

"The tenor sax giant had signed with another label when he embarked on this one-off date for Blue Note, an excursion that paid off with an enduring modern jazz masterpiece. Boasting volley after volley of smart soloing and intuitively swinging rhythm work, Blue Train is a joy, from the coolly precise ensemble entry on the opening title piece through the set's balance of elegant hard bop conversations and smooth downshifts into ballads. John Coltrane wrote four originals for the date, all of them now regarded as standards, and assembled a rhythm section including pianist Kenny Drew, Miles Davis's rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, and trumpeter Lee Morgan and trombonist Curtis Fuller, both recent Blue Note recruits. Coltrane's signature sound, now fully developed but still hewing more to familiar blues and chromatic harmonies than his later modalities, is confident and expansive, and his partners respond vividly throughout."

"Blue Train:

Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train -- Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry -- touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they're playing. Joining Coltrane (tenor sax) are Lee Morgan (trumpet), Curtis Fuller (trombone), Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The triple horn arrangements incorporate an additional sonic density that remains a trademark unique to both this band and album. Of particular note is Fuller's even-toned trombone, which bops throughout the title track as well as the frenetic "Moments Notice." Other solos include Paul Chambers' subtly understated riffs on "Blue Train" as well as the high energy and impact from contributions by Lee Morgan and Kenny Drew during "Locomotion." The track likewise features some brief but vital contributions from Philly Joe Jones -- whose efforts throughout the record stand among his personal best. Of the five sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer ballad "I'm Old Fashioned" is the only standard; in terms of unadulterated sentiment, this version is arguably untouchable. Fuller's rich tones and Drew's tastefully executed solos cleanly wrap around Jones' steadily languid rhythms. Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane's career, but of the entire genre of jazz music as well.

Review by Lindsay Planer, Allmusic.com
"


"Traneing In:

For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encourages a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original "Traneing In" is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though the pianist takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland's while incrementally increasing in intensity, yet never losing the song's underlying swinging bop. Chambers then gets in on the action with an effervescent run that quotes the seasonal favorite "Santa Claus Is Coming to Town." The poignant "Slow Dance" is a dark ballad with a simple, refined tune that is established by Coltrane. He turns things over to Chambers, and then Garland -- whose respective style and grace are virtually indescribable -- before bringing it home with one final verse. "Bass Blues" is the second Coltrane-penned selection on the album. Right from the tricky opening riff, the slightly asymmetrical melody showcases Chambers' ability to mirror even the most intricate or seemingly improvised lines from Coltrane. The mid-tempo pace is a springboard for the tenor's spontaneous inventions as he interfaces with a rollicking and ready Garland alongside Chambers' unfettered bowing. "You Leave Me Breathless" provides everything that a love song should with long, languid runs by Coltrane, Garland, and what is arguably Paul Chambers at his absolute finest. Few passages can match the grace and stately refinement of the bassist as he pilots the proceedings behind Taylor's steady metronome and Garland's luminous, effective comps. John Coltrane with the Red Garland Trio (1957) draws to a close on the bebop lover's dream, a fast and furious interpretation of the Irving Berlin classic "Soft Lights and Sweet Music." Clearly Coltrane excels within this context, laying down his note clusters more rapidly than the listener can actually absorb them. These are clear demarcations pointing toward the remarkable sonic advancements Coltrane was espousing. And although it would be a few years before he'd make the leap into full-blown free jazz, the roots can clearly be traced back here.

Review by Lindsay Planer, Allmusic.com
"


"Dakar:

Dakar (1957) presents half-a-dozen numbers recorded April 20, 1957 by an ensemble credited as the "Prestige All-Stars." On the bandstand for this date are John Coltrane (tenor sax), Cecil Payne (baritone sax), Pepper Adams (baritone sax), Mal Waldron (piano), Doug Watkins (bass), and Art Taylor (drums). Although at the time these were considered "leaderless" units, upon hearing the interaction of the participants, modern ears might desire to qualify that statement.

The Latin-flavored title track "Dakar" finds Coltrane adapting his solo to faultlessly conform to Payne and Adams' comparatively fuller-bodied involvement. The brooding chord progressions take on dark overtones with Coltrane joining Waldron as they burst forth fuelled by the soulful brass section. "Mary's Blues" is a treat for sax lovers as Adams -- who penned the number -- almost immediately raises the musical stakes for Coltrane. The differences in their respective presentations offer a contrast that complements the cool refinement of Adams and Pepper when juxtaposed with Coltrane's frenetic flurries. Particularly engaging are the sequence of four-bar blasts from the horn players, just prior to Coltrane pushing the combo through their paces. On "Route Four" the strongest elements of each player surface, creating one of the platter's brightest moments. Right out of the box, Waldron unleashes line upon line of masterful lyricism. The driving tempo keeps the instrumentalists on their toes as Coltrane is sandwiched between the undeniably and equally inspired Payne and Adams. Here, the urgency of Coltrane's tenor sax clearly tests the boundaries of the Taylor/Watkins rhythm section. The moody and sublime ballad "Velvet Scene" is a Waldron composition containing some of the author's strongest individual involvement as he interjects his expressive keyboarding directly into the melody. If the album is flawed, that may well be due to Coltrane's inability to deliver during "Witches' Pit." Perhaps because he is the first soloist, there seems to be no immediate direction to his playing. In a highly unusual move, he simply trails off rather than concluding his portion with his usual command and authority. "Cat Walk" restores Coltrane's sinuous leads during a couple of jaunty double-time excursions that tread gingerly around the catchy tune. Jazz enthusiasts -- especially lovers of Thelonious Monk -- should easily be able to discern Adams' nod to "'Round Midnight."

Review by Lindsay Planer, Allmusic.com
"




Tracklist:

CD1 - Blue Train:

01. Blue Train (10:42)
02. Moment's Notice (09:09)
03. Locomotion (07:14)
04. I'm Old Fashioned (07:57)
05. Lazy Bird (07:05)

CD2:

Traneing In:

01. Traneing In (12:34)
02. Slow Dance (05:27)
03. Bass Blues (07:46)
04. You Leave Me Breathless (07:24)
05. Soft Lights And Sweet Music (04:43)

Dakar:

06. Dakar (07:09)
07. Mary's Blues (06:48)
08. Route 4 (06:56)
09. Velvet Scene (04:53)
10. Witches' Pit (06:43)
11. Catwalk (07:11)


Exact Audio Copy V1.0 beta 6 from 9. April 2015

EAC extraction logfile from 10. June 2015, 9:28

John Coltrane / Blue Train [NOT2CD291]

Used drive : ASUS DRW-22B3S Adapter: 1 ID: 0

Read mode : Secure
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Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction

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Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface
: Native Win32 interface for Win NT & 2000
Gap handling
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Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%

TOC of the extracted CD Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 10:42.68 | 0 | 48217 2 | 10:42.68 | 9:09.42 | 48218 | 89434 3 | 19:52.35 | 7:14.24 | 89435 | 122008 4 | 27:06.59 | 7:57.54 | 122009 | 157837 5 | 35:04.38 | 7:05.50 | 157838 | 189762

Track 1 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 1\01. Blue Train.wav Pre-gap length 0:00:02.00 Peak level 98.3 %
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Accurately ripped (confidence 6) [AFE96B3D] (AR v2)
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Track 2 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 1\02. Moment's Notice.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
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Accurately ripped (confidence 6) [5907AE87] (AR v2)
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Track 3 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 1\03. Locomotion.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
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Track 4 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 1\04. I'm Old Fashioned.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
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Accurately ripped (confidence 6) [3146A4F2] (AR v2)
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Track 5 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 1\05. Lazy Bird.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
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All tracks accurately ripped

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==== Log checksum 071717F7FE669D05B837C9608219891FC9173ABAD054C23DE568E69F96A2525E ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-06-13 16:28:28

------
Analyzed: John Coltrane / Blue Train [NOT2CD291]
------

DR Peak RMS Duration Track
------
DR10 -0.14 dB -12.52 dB 10:43 01-Blue Train
DR10 -0.14 dB -12.63 dB 9:10 02-Moment's Notice
DR11 -0.14 dB -12.28 dB 7:14 03-Locomotion
DR12 -0.15 dB -14.28 dB 7:58 04-I'm Old Fashioned
DR11 -0.15 dB -13.68 dB 7:06 05-Lazy Bird
------

Number of tracks: 5
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 879 kbps
Codec: FLAC

Exact Audio Copy V1.0 beta 6 from 9. April 2015

EAC extraction logfile from 10. June 2015, 17:23

John Coltrane / Traneing In & Dakar [NOT2CD291]

Used drive : ASUS DRW-22B3S Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction

: 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface
: Native Win32 interface for Win NT & 2000
Gap handling
: Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%

TOC of the extracted CD Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 12:34.53 | 0 | 56602 2 | 12:34.53 | 5:27.06 | 56603 | 81133 3 | 18:01.59 | 7:46.13 | 81134 | 116096 4 | 25:47.72 | 7:24.11 | 116097 | 149407 5 | 33:12.08 | 4:43.00 | 149408 | 170632 6 | 37:55.08 | 7:09.53 | 170633 | 202860 7 | 45:04.61 | 6:48.19 | 202861 | 233479 8 | 51:53.05 | 6:56.02 | 233480 | 264681 9 | 58:49.07 | 4:53.44 | 264682 | 286700
10 | 63:42.51 | 6:43.12 | 286701 | 316937
11 | 70:25.63 | 7:11.62 | 316938 | 349324

Track 1 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\01. Traneing In.wav Pre-gap length 0:00:02.00 Peak level 98.8 %
Extraction speed 6.8 X
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Accurately ripped (confidence 7) [563E4D17] (AR v2)
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Track 2 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\02. Slow Dance.wav Pre-gap length 0:00:02.58 Peak level 98.8 %
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Accurately ripped (confidence 7) EAEC9E5 (AR v2)
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Track 3 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\03. Bass Blues.wav Pre-gap length 0:00:02.58 Peak level 98.8 %
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Accurately ripped (confidence 7) [92F37CFF] (AR v2)
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Track 4 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\04. You Leave Me Breathless.wav Pre-gap length 0:00:02.58 Peak level 98.8 %
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Accurately ripped (confidence 7) [0DCABED4] (AR v2)
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Track 5 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\05. Soft Lights And Sweet Music.wav Pre-gap length 0:00:02.58 Peak level 98.8 %
Extraction speed 9.1 X
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Accurately ripped (confidence 7) [4B460EF2] (AR v2)
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Track 6 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\06. Dakar.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
Extraction speed 10.0 X
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Copy CRC C4065A84
Accurately ripped (confidence 7) [894C79F2] (AR v2)
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Track 7 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\07. Mary's Blues.wav Pre-gap length 0:00:02.58 Peak level 98.8 %
Extraction speed 10.4 X
Track quality 100.0 %
Test CRC 5FDA4070
Copy CRC 5FDA4070
Accurately ripped (confidence 7) [A13ECEC7] (AR v2)
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Track 8 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\08. Route 4.wav Pre-gap length 0:00:02.58 Peak level 98.4 %
Extraction speed 10.9 X
Track quality 100.0 %
Test CRC 4FCD9947
Copy CRC 4FCD9947
Accurately ripped (confidence 7) [5055B125] (AR v2)
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Track 9 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\09. Velvet Scene.wav Pre-gap length 0:00:02.58 Peak level 98.3 %
Extraction speed 11.0 X
Track quality 100.0 %
Test CRC 218D90E8
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Accurately ripped (confidence 7) [DAACDCA8] (AR v2)
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Track 10 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\10. Witches' Pit.wav Pre-gap length 0:00:02.58 Peak level 98.4 %
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Accurately ripped (confidence 7) [164BDECE] (AR v2)
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Track 11 Filename H:\g.y.m\John Coltrane\2010 - Blue Train (+ Traneing In & Dakar) [NOT2CD291]\CD 2\11. Catwalk.wav Pre-gap length 0:00:02.58 Peak level 98.4 %
Extraction speed 12.1 X
Track quality 100.0 %
Test CRC 9FDC2518
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Accurately ripped (confidence 7) [7766EE66] (AR v2)
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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 363024F653C8D98BEFC682CC8E07CA54AE1074B050BE51BD15D91209F8D44F22 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-06-13 16:28:50

------
Analyzed: John Coltrane / Traneing In & Dakar [NOT2CD291]
------

DR Peak RMS Duration Track
------
DR10 -0.10 dB -12.80 dB 12:35 01-Traneing In
DR13 -0.10 dB -16.81 dB 5:27 02-Slow Dance
DR10 -0.10 dB -12.79 dB 7:46 03-Bass Blues
DR12 -0.10 dB -14.92 dB 7:24 04-You Leave Me Breathless
DR9 -0.10 dB -11.13 dB 4:43 05-Soft Lights And Sweet Music
DR10 -0.14 dB -11.88 dB 7:10 06-Dakar
DR10 -0.10 dB -11.81 dB 6:48 07-Mary's Blues
DR9 -0.14 dB -11.62 dB 6:56 08-Route 4
DR10 -0.14 dB -12.39 dB 4:54 09-Velvet Scene
DR9 -0.14 dB -10.70 dB 6:43 10-Witches' Pit
DR9 -0.14 dB -11.21 dB 7:12 11-Catwalk
------

Number of tracks: 11
Official DR value: DR10

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 659 kbps
Codec: FLAC

John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010

John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010

All thanks to original releaser - g.y.m.


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