Vampire Weekend - Vampire Weekend (2008) [Japanese Press, 2010]

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Vampire Weekend - Vampire Weekend (2008) [Japanese Press, 2010]

Vampire Weekend - Vampire Weekend (2008) Japanese Press 2010
EAC | FLAC | Image (Cue&Log) ~ 279 Mb (incl 5%) | Mp3 (CBR320) ~ 140 Mb (incl 5%) | Scans included
Genre: Indie Rock, Alternative Rock | Label: XL Recordings, Hostess | # XLCD318J, BGJ-19243 | Time: 00:34:18

"Vampire Weekend is the debut studio album by the American indie rock band Vampire Weekend, released in January 2008 on XL Recordings. The album was produced by band member Rostam Batmanglij, with mixing assistance from Jeff Curtin and Shane Stoneback. The album was ranked as the 5th-best album of 2008 by Time, the 56th-best album of the decade by Rolling Stone and 51st on Pitchfork's list of the Top 200 Albums of the 2000s. In 2012, Rolling Stone ranked the album number 430 on its list of "The 500 Greatest Albums of All Time". The album was also ranked 24 on Rolling Stone‍ '​s list of 100 greatest debut albums of all time, citing them for having inspired a wave of indie bands with world music influences, despite largely criticising the album on its release."

"With the Internet able to build up or tear down artists almost as soon as they start practicing, the advance word and intense scrutiny doesn't always do a band any favors. By the time they've got a full-length album ready to go, the trend-spotters are already several Hot New Bands past them. Vampire Weekend started generating buzz in 2006 -- not long after they formed -- but their self-titled debut album didn't arrive until early 2008. Vampire Weekend also has just a handful of songs that haven't been floating around the 'Net, which may disappoint the kind of people who like to post "First!" on message boards. This doesn't make those songs any less charming, however -- in fact, the band has spent the last year and a half making them even more charming, perfecting the culture collision of indie-, chamber-, and Afro-pop they call "Upper West Side Soweto" by making that unique hybrid of sounds feel completely effortless. So, Vampire Weekend ends up being a more or less official validation of the long-building buzz around the band, served up in packaging that uses the Futura typeface almost as stylishly as Wes Anderson. At times, the album sounds like someone trying to turn a Wes Anderson movie back into music (it's no surprise that the band's keyboardist also writes film scores); there's a similarly precious yet adventurous feel here, as well as a kindred eye and ear for detail. Everything is concise, concentrated, distilled, vivid; Vampire Weekend's world is extremely specific and meticulously crafted, and Vampire Weekend often feels like a concept album about preppy guys who grew up with classical music and recently got really into world music. Amazingly, instead of being alienating, the band's quirks are utterly winning. Scholarly grammar ("Oxford Comma") and architecture ("Mansard Roof") are springboards for songs with impulsive melodies, tricky rhythms, and syncopated basslines. Strings and harpsichords brush up against African-inspired chants on "M79," and lilting Afro-pop guitars and a skanking beat give way to Mellotrons on "A-Punk." It's a given that a band that's this high concept has hyper-literate lyrics: the singer's name is the very writerly Ezra Koenig, and you almost expect to see footnotes in the album's liner notes. Once again, though, Vampire Weekend's words are evocative instead of gimmicky. The irresistible "Cape Cod Kwassa Kwassa" rhymes "Louis Vuitton" with "reggaeton" and "Benneton" and name-drops Peter Gabriel (though it's clear the band spent more time with Paul Simon's Graceland) without feeling contrived. "Campus" is another standout, with lines like "I see you walking across the campus...how am I supposed to pretend I never want to see you again?" throwing listeners into college life no matter what their age. Koenig has a boyish, hopeful quality to his voice that completes Vampire Weekend, especially on bittersweet but irrepressible songs like "I Stand Corrected" and album closer "The Kids Don't Stand a Chance." Fully realized debut albums like Vampire Weekend come along once in a great while, and these songs show that this band is smart, but not too smart for their own good.

Review by Heather Phares, Allmusic.com
"




Tracklist:

01. Mansard Roof (02:07)
02. Oxford Comma (03:15)
03. A-Punk (02:17)
04. Cape Cod Kwassa Kwassa (03:34)
05. M79 (04:15)
06. Campus (02:56)
07. Bryn (02:13)
08. One (Blake's Got A New Face) (03:13)
09. I Stand Corrected (02:39)
10. Walcott (03:41)
11. The Kids Don't Stand A Chance (04:03)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. December 2011, 6:25

Vampire Weekend / Vampire Weekend (XLCD318J, BGJ-19243)

Used drive : ASUS DRW-24B1ST Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction

: 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface
: Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD Track | Start | Length | Start sector | End sector
--1 | 0:00.00 | 2:07.50 | 0 | 9574 2 | 2:07.50 | 3:15.55 | 9575 | 24254 3 | 5:23.30 | 2:17.57 | 24255 | 34586 4 | 7:41.12 | 3:34.53 | 34587 | 50689 5 | 11:15.65 | 4:15.57 | 50690 | 69871 6 | 15:31.47 | 2:56.35 | 69872 | 83106 7 | 18:28.07 | 2:13.13 | 83107 | 93094 8 | 20:41.20 | 3:13.00 | 93095 | 107569 9 | 23:54.20 | 2:39.57 | 107570 | 119551
10 | 26:34.02 | 3:41.45 | 119552 | 136171
11 | 30:15.47 | 4:03.00 | 136172 | 154396

Range status and errors

Selected range Filename D:\Vampire Weekend - Vampire Weekend (XLCD318J, BGJ-19243).wav Peak level 100.0 %
Extraction speed 5.1 X
Range quality 100.0 %
Test CRC 8E32C8E3
Copy CRC 8E32C8E3
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 40) [709087AC] (AR v2)
Track 2 accurately ripped (confidence 40) C9E453F (AR v2)
Track 3 accurately ripped (confidence 40) [A3E3FA83] (AR v2)
Track 4 accurately ripped (confidence 40) [3A00C5DE] (AR v2)
Track 5 accurately ripped (confidence 40) [E3657D95] (AR v2)
Track 6 accurately ripped (confidence 40) 672A7DA (AR v2)
Track 7 accurately ripped (confidence 40) [EB19EB24] (AR v2)
Track 8 accurately ripped (confidence 40) [48A15E93] (AR v2)
Track 9 accurately ripped (confidence 40) [5F6CD90E] (AR v2)
Track 10 accurately ripped (confidence 40) [3CE1EA00] (AR v2)
Track 11 accurately ripped (confidence 38) [09955B3C] (AR v2)

All tracks accurately ripped

End of status report

- CUETools DB Plugin V2.1.3

[CTDB TOCID: _BBOlXCWANVSoxa1i_Y_BvdSh8U-] found, Submit result: _BBOlXCWANVSoxa1i_Y_BvdSh8U- has been confirmed
[58d8fa07] (390/390) Accurately ripped

==== Log checksum A8C0C9272CB660BDFE5F2B540F0C51527C048FBEBAB04CD576A823E7C341FBA0 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2015-06-26 20:55:58

Analyzed: Vampire Weekend / Vampire Weekend (XLCD318J, BGJ-19243)

DR Peak RMS Duration Track

DR5 0.00 dB -7.61 dB 2:08 01-Mansard Roof
DR5 -0.18 dB -7.96 dB 3:16 02-Oxford Comma
DR4 0.00 dB -5.87 dB 2:18 03-A-Punk
DR6 0.00 dB -7.49 dB 3:35 04-Cape Cod Kwassa Kwassa
DR7 0.00 dB -8.46 dB 4:16 05-M79
DR5 -0.23 dB -7.09 dB 2:56 06-Campus
DR6 -0.20 dB -7.77 dB 2:13 07-Bryn
DR7 0.00 dB -9.60 dB 3:13 08-One (Blake's Got A New Face)
DR7 0.00 dB -8.15 dB 2:40 09-I Stand Corrected
DR4 0.00 dB -6.61 dB 3:42 10-Walcott
DR5 0.00 dB -7.23 dB 4:03 11-The Kids Don't Stand A Chance

Number of tracks: 11
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 862 kbps
Codec: FLAC

Vampire Weekend - Vampire Weekend (2008) [Japanese Press, 2010]

Vampire Weekend - Vampire Weekend (2008) [Japanese Press, 2010]

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